You've seen the parodies ... or ... have you? If not, time to do some catching up. One of my favorites is when Hitler finds out his so-called "friends" aren't going to Burning Man after all.
But have you seen ... the movie? There are about 150 other minutes of film you could catch up on.
I saw the DVD on the rack as I scoped out the one-last-dying-breath Hollywood Video, and yes, I found it hard to watch the fateful scene of hubris personified without cracking up and thinking of poor Hitler being banned from XBox Live.
You probably read about it in the papers already, so I'm not spoiling anything (and hopefully prepping you and the kids) by pointing out that nearly everyone in the Third Reich's inner circle ends up being shot, killed and murdered onscreen ... except for Hitler. He is given respectful privacy when he reaches the end. Kinda ironic, wouldn't you say?
Showing posts with label Germany. Show all posts
Showing posts with label Germany. Show all posts
Thursday, May 20, 2010
Downfall
Labels:
1.85:1,
2004,
Austria,
Color,
First Time,
Germany,
Harrison,
Italy,
RIP Hollywood Video
Tuesday, May 4, 2010
Teza
The story of one man's journey from Ethiopian idealist to exile and back, and the third of three films in my day at the Columbia City Cinema.
"Teza" isn't quite an epic but over a couple-plus hours it covers a LOT of ground. The Fascists (note to Tea Partiers: here be real Fascists). Haile Selassie. Gangsters, Communists, butchers, and exile in Germany. In Germany, FFS!
And taboot, when's the last time you heard of a historical-political personal journey drama coming out of Ethiopia? That alone makes it worth your time.
I walked out of the Columbia City Cinema after having spent most of the day inside it, and the streetlights perfectly illuminated the drizzle on Rainier Avenue, a quietly theatrical ending to a day spent at the movies.
"Teza" isn't quite an epic but over a couple-plus hours it covers a LOT of ground. The Fascists (note to Tea Partiers: here be real Fascists). Haile Selassie. Gangsters, Communists, butchers, and exile in Germany. In Germany, FFS!
And taboot, when's the last time you heard of a historical-political personal journey drama coming out of Ethiopia? That alone makes it worth your time.
I walked out of the Columbia City Cinema after having spent most of the day inside it, and the streetlights perfectly illuminated the drizzle on Rainier Avenue, a quietly theatrical ending to a day spent at the movies.
Labels:
1.78:1,
2008,
Color,
Columbia City Cinema,
Ethiopia,
First Time,
France,
Germany,
theater
The Ghost Writer
Roman Polanski is a confessed child rapist who should just own up to the punishment he ran away from three decades ago. Whew, I put off writing about this film for almost two months because I wasn't sure how to begin. Now that THAT'S out of the way...
Roman Polanski is also a brilliant filmmmaker, and "The Ghost Writer" is suspenseful and loaded with terrific acting, pacing and mood. Germany had to stand in for Martha's Vineyard because ... well, you know ... and Germany was up to the task.
Jim Belushi, Timothy Hutton, Eli Wallach and the always amazing Tom Wilkinson surrounded Ewan McGregor's unnamed "Ghost" with all the depth needed to keep the story moving. A story, it should be noted, of an accused criminal in hiding, the unnamed protagonist hired to tell his story, and the politico-media frenzy which surrounds them. The accused criminal in question is a Prime Minister dealing with issues of terrorism, war and national security. And hardly anyone, it seems, gave *him* a free pass....
Unlike some of Polanski's supporters in the film industry, I don't believe that making great films lets him off the hook for his personal life. I also don't think his personal life should disqualify me from seeing what he does with film.
This was the first of Three In A Row, an entire day spent at the Columbia City Cinema doing some catching up.
Roman Polanski is also a brilliant filmmmaker, and "The Ghost Writer" is suspenseful and loaded with terrific acting, pacing and mood. Germany had to stand in for Martha's Vineyard because ... well, you know ... and Germany was up to the task.
Jim Belushi, Timothy Hutton, Eli Wallach and the always amazing Tom Wilkinson surrounded Ewan McGregor's unnamed "Ghost" with all the depth needed to keep the story moving. A story, it should be noted, of an accused criminal in hiding, the unnamed protagonist hired to tell his story, and the politico-media frenzy which surrounds them. The accused criminal in question is a Prime Minister dealing with issues of terrorism, war and national security. And hardly anyone, it seems, gave *him* a free pass....
Unlike some of Polanski's supporters in the film industry, I don't believe that making great films lets him off the hook for his personal life. I also don't think his personal life should disqualify me from seeing what he does with film.
This was the first of Three In A Row, an entire day spent at the Columbia City Cinema doing some catching up.
Labels:
2.35:1,
2010,
Color,
Columbia City Cinema,
First Time,
France,
Germany,
theater,
UK
Friday, April 16, 2010
The Lives Of Others
Ulrich Mühe, who played the East German Stasi bugger whose job is to listen in on a famous (and loyal) playwright's life because his boss has a thing for the playwright's lover, auditioned for the part by showing up with a copy of his own personal dossier kept by the Stasi.
So I'm not giving away the ending by pointing out that the film's Stasi lapdog has a change of heart, and gets a reward for it. Not a reward that improves his surroundings or history or future... but it means something to him, nonetheless.
So I'm not giving away the ending by pointing out that the film's Stasi lapdog has a change of heart, and gets a reward for it. Not a reward that improves his surroundings or history or future... but it means something to him, nonetheless.
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